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Abstract

    Wes Anderson, the director of nine feature films including The Royal Tenenbaums (2003), Moonrise Kingdom (2012), and The Grand Budapest Hotel (2014), is an auteur. With countless visual elements and recurring thematic traits, Anderson has established himself as a filmmaker with a unique vision. Whether it is his dedication to symmetry or his obsession with the analysis of dysfunctional families, Anderson’s distinct style emerges from behind the camera. Ultimately, his films have an unmistakable tone and aesthetic feel to them that create a special experience for anyone watching.

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